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Time in Screen Documentary

Научные исследования: 
Выпуски: 

 

For citation: Poznin V.F. (2017) Vremya v ekrannoy dokumentalistike [Time in Screen Documentary]. Mediaskop 2. (in Russian). Available at: http://www.mediascope.ru/2305

 

© Vitaly F. Poznin
PhD, Professor at the Chair of Television and Radio Journalism, School of Journalism and Mass Communication, Saint Petersburg State University (Saint Petersburg, Russia), poznin@mail.ru

 

Abstract

Category of time is an important factor in the impact of film/TV-program on the viewer. As for the documentary, time plays here a special role because documentary movies fix the vital reality of the specific periods and reflect the historical and social time, and this fact determines the value of the screen documents. As for the viewer's perception of the on-screen time, this category has conventional character. Time can also change its characteristics due to the film editing and kinematic mode of the shooting camera. Analyzing the perception of documentary by the audience, the author concludes that Russian films produced by the cinema school named as "The new documentary film" don't cause the interest of public because they ignore the movement of time, up to creating in some films a sense of "loop of time'. The interest of the audience can be stimulated if time in the on-screen product is an integral part of its drama and composition structure. There are three types of artistic screen time in the documentary that are able to stimulate the audience interest: linear, nonlinear and periodic time. The significant part of the article is devoted to analysis of these categories of documentary films and TV programs.

Keywords: documentary, cinema, TV, time, dramaturgy, perception of film.

 

Notes

Churinov V. Gumanizm – samoe khudshee iz vozmozhnogo: filosofskoe zhyuri o natsional'nom konkurse [Humanism − the Worst that Is Possible: Philosophical Jury on National Contest]. 2015, October 11. Available at: http://message2man.com/news/6310-humanism-the-worst-of-the-possible/ (aссessed: 22.10.2016).

Manskiy V. (2005) Real'noe kino. Manifest [Real Cinema. Manifesto]. Iskusstvo kino, no. 11. Available at: http://kinoart.ru/archive/2005/11/n11-article20

Marina Razbezhkina: chtoby chelovek sostoyalsya, on dolzhen porvat' so svoimi kornyami [Marina Razbezhkina: A Man Should Break with His Roots to Succeed]. Available at: https://www.newkaliningrad.ru/afisha/publications/1954560-marina-razbezhkina-chtoby-chelovek-sostoyalsya-on-dolzhen-porvat-so-svoimi-kornyami.html (aссessed: 20.04.2017).

Pavel Lungin: «My snova zhdem pribytiya poezda» [Pavel Lungin: "We Are Waiting for the Train Arrival Again]. Iskusstvo kino, 2014, no.1. Available at: https://www.kinoart.ru/archive/2014/01/pavel-lungin-my-snova-zhdem-pribytiya-poezda

Pavel Pechenkin: «Vremya v dokumental'nom kino» [Pavel Pechyonkin: "Time in Documentaries"]. Available at: http://www.videoton.ru/Articles/time_in_docfilm.html (aссessed: 25.12.2016).

Stewart R. Interview: Michael Apted, Director, 49 Up. 2006. October 5. Available at: https://www.moviefone.com/2006/10/05/interview-michael-apted-director-49-up/ (aссessed: 20.04.2017).

 

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